Flower and Snake[1] | |
---|---|
Directed by | Takashi Ishii |
Produced by | Kazuo Shimizu |
Written by | Takashi Ishii (screenplay) |
Starring | Aya Sugimoto |
Music by | Gorō Yasukawa |
Edited by | Yūji Murayama |
Distributed by | Toei |
March 13, 2004 (Japan) | |
Running time | 115 minutes |
Country | Japan |
Language | Japanese |
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Flower and Snake (花と蛇Hana to hebi), released in 2004, is a Japanese film based on the 1974 movie Flower and Snake directed by Masaru Konuma and starring Naomi Tani. The earlier film, based on a novel by Oniroku Dan, was part of Nikkatsu's Roman Porno series. The 2004 version, directed by Takashi Ishii and starring Aya Sugimoto, has been described as marking a 'watershed moment in the history of Japanese film censorship' with 'some of the most extravagant scenes of sexual cruelty and graphic nudity to be passed off as mainstream entertainment in any part of the world.'[2]
Plot[edit]
On the surface, Shizuko (Aya Sugimoto) is a beautiful and talented tango dancer married to a handsome and successful businessman Takayoshi Tōyama, but she is troubled by recurrent masochistic dreams and her inability to be sexually aroused by her husband. But her husband is heavily indebted to gangsters and yakuza boss Kanzō Morita also has a video supplied by Kawada, a disgruntled former employee, which implicates Tōyama in a bribery scheme. Morita tells Tōyama that his only recourse is his beautiful wife who is an obsession to his mentor, the politically powerful Ippei Tashiro. When Tōyama finds that Tashiro is 95 years old, he convinces himself that turning his wife over to him will not be a major problem. When he brings his wife to the supposed masked ball, however, she is kidnapped and made part of a private bondage show for the elderly yakuza chief and his twisted friends. Shizuko resists at first but submits when her female bodyguard Kyōko (who has also been kidnapped) is submitted to sexual torture and threatened with death. Shizuko is then subjected to a series of punishments including abundant rope bondage. When her husband repents and finally reaches her after paying the yakuza, her only response is 'Do me!'. After more sexual adventures, she finally escapes, though it remains ambiguous as to whether she experienced was real or another of her masochistic dreams.
Cast[edit]
- Aya Sugimoto as Shizuko Tōyama[2][3]
- Renji Ishibashi as Ippei Tashiro
- Hironobu Nomura(野村宏伸) as Takayoshi Tōyama
- Kenichi Endō as Kanzō Morita
- Misaki (未向) as Kyōko Nojima
- Yōzaburô Itō (伊藤洋三郎) as Clown man
- Yoshiyuki Yamaguchi (山口祥行) as Ryō Eguchi
- Shun Nakayama as Kazuo Kawada
- Shigeo Kobayashi as Yoshizawa
Production[edit]
Masaru Konuma's 1974 version of Flower and Snake was the Nikkatsu studio's first venture into S&M oriented films.[4] The 2004 film is related only by name and general theme to the earlier film but it shares much of the spirit of the Roman Porno S&M features.[2] For the film, star Aya Sugimoto 'worked closely with bondage master Go Arisue. Though Sugimoto spent roughly 75 percent of her screen time unclothed and participating in humiliating acts, she appeared every bit in control of her sexual composure.'[5]
Sequels[edit]
A sequel to the film, Flower and Snake 2 (花と蛇2 パリ/静子Hana to hebi 2: Pari / Shizuko), was released by Toei on May 14, 2005. Aya Sugimoto continued in her role as Shizuko Tōyama but with a much older husband in this version. The locale is now Paris but the plot still centers on sado-masochism with Kenichi Endō as the artist Ikegami who leads Shizuko into his shadowy world.[6] Toei released a second sequel to the film on August 28, 2010 as Flower and Snake 3 (花と蛇3Hana to hebi 3) but this time starring Minako Komukai as Shizuko. This sequel was directed by Yusuke Narita and featured an appearance by Kei Mizutani.[7]
References[edit]
- ^Infobox data from '花と蛇' (in Japanese). Jmdb.ne.jp. Retrieved 2011-10-15.
- ^ abcSharp, Jasper (2008). Behind the Pink Curtain: The Complete History of Japanese Sex Cinema. Guildford: FAB Press. p. 339. ISBN978-1-903254-54-7.
- ^'花と蛇' (in Japanese). Jmdb.ne.jp. Retrieved 2011-10-15.
- ^Weisser, Thomas; Yuko Mihara Weisser (1998). Japanese Cinema Encyclopedia: The Sex Films. Miami: Vital Books : Asian Cult Cinema Publications. p. 155. ISBN1-88928-852-7.
- ^Robert Michael Poole (2008-01-18). 'Cool Erotica'. Metropolis (free magazine). Archived from the original on 2009-12-27. Retrieved 2011-05-03.
- ^'花と蛇2 パリ/静子' (in Japanese). All Cinema. Retrieved 2013-09-10.
- ^'花と蛇3' (in Japanese). All Cinema. Retrieved 2013-09-10.
External links[edit]
- Flower and Snake (2004) on IMDb
- 'Flower and Snake (2004)'. AllRovi.
- Willmott, Don (November 18, 2006). 'Flower and Snake'. Filmcritic.com.
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Flower_and_Snake_(2004_film)&oldid=916795767'
Flower and Snake | |
---|---|
Poster to the Nikkatsu Roman porno film, Flower and Snake | |
Directed by | Masaru Konuma |
Written by | Oniroku Dan (novel) Yôzô Tanaka |
Starring | Naomi Tani Nagatoshi Sakamoto |
Music by | Riichiro Manabe |
Cinematography | Shohei Ando |
Distributed by | Nikkatsu |
June 22, 1974 (Japan) | |
Running time | 74 minutes |
Country | Japan |
Language | Japanese |
Flower and Snake (花と蛇Hana to hebi)akaFlowers and Serpents (1974) is a Japanese soft-core S&M film starring Naomi Tani, directed by Masaru Konuma and produced by Nikkatsu. Based on a novel by Oniroku Dan (born 1931), Japan's best-known author of S&M fiction, Flower and Snake was the first of Nikkatsu’s Roman Porno films to deal with an S&M theme. Together with the later Wife to be Sacrificed (also directed by Konuma in 1974, and starring the same female and male leads) this film is credited with starting the S&M Roman Porno series which helped save Nikkatsu from collapse during the 1970s.[1]
Background[edit]
In a very successful effort to avoid bankruptcy, Nikkatsu, Japan's oldest major film studio, had entered the pink film, or soft-core pornography, genre three years earlier, in 1971, with its popular and critically praised Roman Porno series.[2] However 1974 was proving to be another difficult year for the studio, with no real box-office hits.[3]
Since the late 1960s, Naomi Tani had been known as the 'Queen of Pink,' the most popular actress in the low-budget, independent 'pink films' which dominated Japan's domestic cinematic market. Nikkatsu had been trying to recruit Tani into their Roman Porno series for years, but she had always refused since the studio had been reluctant to enter the S&M genre, which was Tani's specialty.[4] Tani finally agreed to join the studio on the condition that her first film be based on the Oniroku Dan S&M novel Flower and Snake.[5] Tani had already starred in a pink film version of Dan's novel entitled Flower and Snake: Rearing the Flesh (花と蛇より 肉の飼育), released by Yamabe Pro.[6][7]
Nikkatsu agreed to Tani's conditions, but there remained the problem of convincing Oniroku Dan to allow the studio to film his novel. After lengthy, inconclusive negotiations, Dan invited director Masaru Konuma and scriptwriter Yozo Tanaka to his home for 'further discussions.' In the middle of the meeting, the electrical power suddenly went out, and Dan called for someone to light a candle. At this point, Naomi Tani, in traditional Japanese kimono, appeared in the room with a lantern. Konuma later said, 'This was Dan's theatrical sense - his way of saying yes.'[8]
Director Konuma and script-writer Tanaka both agreed that Dan's novel was unfilmable, and made significant changes to the story. Dan and Naomi Tani both objected to this, and there was considerable friction between the two sides over the story during the writing of the script. Konuma later commented about Naomi Tani's role in this matter, 'while we worked on the final script, she was very argumentative. However, I was impressed with her change in attitude after the company's final decision. During the shoot, she never gave us a problem. Instead- she was committed. I admire her professionalism.'[8]
After the film became a huge hit for Nikkatsu, the studio wanted to follow it with a sequel. Oniroku Dan remained bitter and did not agree to participate in the next film, Wife to be Sacrificed (1974),[8] which became even a greater success. Dan did reconcile with the studio however, and continued to have a strong professional relationship with both Nikkatsu and Naomi Tani.[9]
Synopsis[edit]
Makoto Katagiri (Yasunori Ishizu) is a 30-year-old man living with his mother Miyo (Hiroko Fuji), who operates a pornographic photography business specializing in sadomasochistic content out of her combined home and adult toy store. As a child, Makoto shot and killed a black American soldier whom he found having sex with his mother. The incident left Makoto psychologically stunted as well as impotent, and as such his mother and her staff treat Makoto much as a child. Despite this, Makoto has developed a strong interest in BDSM, though he has no outlet for his interests.
Senzô Tôyama (Nagatoshi Sakamoto) is the elderly owner of the company Makoto works for, and also has an interest in BDSM. However, his new wife Shizuko (Naomi Tani) refuses to let Senzô tie her up or even watch her bathe; instead he vents his frustrations and needs on their housemaid Haru (Hijiri Abe), forcing her to indulge in his need for S&M. After finding some bondage pornography in Makoto's desk, Senzô summons Makoto to his home, where he first asks, then orders Makoto to kidnap and 'train' his wife in order to break her pride so that she will submit to his desires. After some hesitation, Makoto agrees.
While in town, Senzô drugs Shizuko's tea with sleeping pills, allowing Makoto to leave with her in his vehicle. On the way home Makoto stops in a field and attempts to rape the semi-conscious Shizuko, but his arousal brings on a hallucination of the black soldier he killed, forcing him to stop. At home, Shizuko awakes to find herself tied up and calls for help, attracting the attention of Miyo. Rather than helping the woman, Miyo seems pleased at her son's actions, and encourages him to rape Shizuko. When he says he can't because she is too beautiful, Miyo suggests Makoto give Shizuko an enema to overcome that impression. He does, and after watching her expel it finds he is able to become aroused without issue. He rapes Shizuko while his mother listens outside his room.
Makoto reports his progress to Senzô regularly, providing tapes and even physical evidence of his wife's continued training. However, he also finds himself becoming attached to Shizuko. Makoto returns home one day to find his mother and her staff have been torturing Shizuko while he was at work. He orders them off of her angrily, telling them not to touch her unless he is present. Shizuko finds herself becoming more at ease with her situation and Makoto, and later asks him if he will protect her; he says yes, going on to say he wants to spend the rest of his life with her. He tells his mother this, and when she objects he responds angrily, calling her an old hag.
One day Makoto returns home to find Shizuko tied up and being used by the black soldier from his dreams. He recoils in horror when the man rises to attack him. His mother then steps in, paying the man, revealing that she staged the scene with a look-alike to render Makoto impotent once more. Makoto tries to have sex with Shizuko again, despairing when he finds that his impotence has returned. Despite this, he keeps training her, even taking her outside for a walk. Taking a chance, he unties her so that she might use the restroom; after a long, worrying delay, Shizuko returns, to the delight of Makoto. Later the two go to watch a pornographic film, which features a black man who resembles the soldier from Makoto's dreams. Uncomfortable at first, Makoto starts to remember his childhood incident in detail, eventually remembering that it was his mother who shot the man, not him. Overjoyed, Makoto calls his mother from a public phone booth to tell her he has remembered the truth, letting her listen as he has sex with Shizuko during the call.
Finally, Senzô arrives to reclaim his wife. Makoto is surprised when Shizuko moves to her husband's side eagerly. He asks her to divorce him so that they might marry, but she refuses, saying that she is now happy since Makoto made her a 'total slut' just as her husband wanted. However, she offers to let him come with the two of them, and though hesitant, Makoto agrees. Miyo begs her son not to go, but the three pile into Senzô's vehicle and leave, a distraught Miyo running after the vehicle in vain. The film ends with Shizuko bound, being ravaged simultaneously by Senzô and Makoto while Haru watches in shock.
Cast[edit]
- Naomi Tani[10] - Shizuko Tôyama
- Nagatoshi Sakamoto - Senzô Tôyama
- Yasunori Ishizu - Makoto Katagiri
- Hiroko Fuji - Miyo Katagiri
- Akira Takahashi
- Hijiri Abe - Haru
Critical appraisal[edit]
Flower and Snake is considered important more from a historical standpoint than for its artistic merits. The later Wife to be Sacrificed is more highly regarded by the critics. Oniroku Dan was not happy with the film, but was able to reconcile with Nikkatsu to continue making many more films from his novels, including Wife to be Sacrificed. Izumi Evers notes that 'Nikkatsu's somewhat innocent approach inadvertently adds comedy,' but sums up her review of Flower and Snake with, 'The heroine, who was masochistically trained by men, was actually controlling them the whole time. To me, despite all the humiliations suffered by heroines like Naomi, this is the fundamental truth behind seventies-era Japanese sex films.'[1] The Weissers call it 'Well-made garbage,' but add that it is one of the best of Nikkatsu's films in this genre.[11]
Availability[edit]
Media Blasters has announced an all-region DVD release of Flower and Snake on its Tokyo Shock label, scheduled for August 28, 2007.[12]
Remake[edit]
The film was remade with a different plot as Flower and Snake in 2004, followed by a sequel Flower and Snake 2 in 2005. Both films were directed by Takashi Ishii and starred Aya Sugimoto. Another remake followed in 2010, directed by Yusuke Narita and starring Minako Komukai.
Notes[edit]
- ^ abMacias, Patrick. (2001). TokyoScope: The Japanese Cult Film Companion. (Review of Flower and Snake by Izumi Evers). Cadence Books, San Francisco. ISBN1-56931-681-3, p.183.
- ^Sato, Tadao (1987) [1982]. Currents in Japanese Cinema. Gregory Barrett (trans.) (paperback ed.). Tokyo: Kodansha. p. 244. ISBN0-87011-815-3.
- ^Weisser, Thomas and Yuko Mihara Weisser. (1998.) Japanese Cinema Encyclopedia: The Sex Films. Vital Books : Asian Cult Cinema Publications. Miami. (ISBN1-889288-52-7), p.506-507.
- ^Konuma, Masaru. (1998). Interviewed by Thomas and Yuko Mihara Weisser on November 6, 1998, in Asian Cult Cinema, #22, 1st Quarter, 1999. p.22
- ^Tani, Naomi. Interviewed by Hamamoto, Maki. (1998). 'Naomi Tani - An Interview with Nikkatsu's Queen of SM' (Conducted in January 1998 in Kyushu, Japan) in Asian Cult Cinema Number 19, April 1998. p.41
- ^Sharp, Jasper (2008). Behind the Pink Curtain: The Complete History of Japanese Sex Cinema. Guildford: FAB Press. p. 222. ISBN978-1-903254-54-7.
- ^花と蛇より 肉の飼育 (in Japanese). Japanese Movie Database. Retrieved 2009-12-19.
- ^ abcKonuma, p.22-23
- ^Weisser, p.356.
- ^Sharp, p.349
- ^Weisser, p.155.
- ^'Flower and Snake '74 (1974)'. Amazon.com. Retrieved 2007-07-05.
Sources[edit]
- 'Flower and Snake (花と蛇)' (in French). Pinku.cho-yaba.com. Retrieved 2007-10-17.
- Macias, Patrick. (2001). TokyoScope: The Japanese Cult Film Companion. (Review of Flower and Snake by Izumi Evers). Cadence Books, San Francisco. ISBN1-56931-681-3, p. 183.
- Weisser, Thomas and Yuko Mihara Weisser. (1998). Japanese Cinema Encyclopedia: The Sex Films. Vital Books : Asian Cult Cinema Publications. Miami. (ISBN1889288527), p. 155.
External links[edit]
- Hana to hebi on IMDb
- Hana to hebi on IMDb, 2004 remake
- Flower and Snake at AllMovie
- '花と蛇 (Hana to Hebi)' (in Japanese). Japanese Movie Database. Retrieved 2007-07-18.
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